As seen in the suit obtained by E! News, Harvey accuses Netflix of defamation, intentional infliction of emotional distress, negligence, gross negligence and violations of right of publicity.
Citing the series' claim to be a true story—as written in the first episode—Harvey's filing reads, "The above quote from the first episode of the Netflix series, Baby Reindeer, is the biggest lie in television history."
"It is a lie told by Netflix and the show's creator, Richard Gadd, out of greed and lust for fame," it continued. "A lie designed to attract more viewers, get more attention, to make more money, and to viciously destroy the life of Plaintiff, Fiona Harvey – an innocent woman defamed by Netflix and Richard Gadd at a magnitude and scale without precedent."
In addition to the pilot note, "This is a true story," in the credits of each episode there is text that reads, "This program is based on real events: however certain characters, names, incidents, locations, and dialogue have been fictionalized for dramatic purposes."
Within the filing, Harvey claims Netflix never took action to verify what she says are the show's allegations against Harvey, including that she was convicted and served prison time for stalking, that she stalked Gadd for five years, in addition to previously stalking a policeman, that she physically attacked Gadd in a bar, often stayed outside his hours for hours at a time and that she sexually assaulted him by groping him in an alley.
"The real Martha is reasonably understood by all viewers to have done all of these monstrous things," the filing reads, "because Netflix and Gadd stated this was true."
Neither Netflix nor Gadd have commented on whether Harvey was the inspiration for Martha.
The documents also claim that the writing for the onscreen Martha as well as actress Jessica Gunning's portrayal did not do enough to disguise Harvey's identity, noting how viewers were able to locate her online within day's of the show's release via tweets she'd written to Gadd, still on X, that she says were nearly identical to those used in the show.
"Like ‘Martha,' Harvey is a Scottish lawyer, living in London, twenty years older than Gadd, was accused of stalking a lawyer in a newspaper article, and who bears an uncanny resemblance to ‘Martha," the filing reads. "Further, ‘Martha's' accent, manner of speaking and cadence, is indistinguishable for Harvey's."
The filing claims Harvey has developed physical symptoms since the release of Baby Reindeer—including anxiety, nightmares, panic attacks, shame and depression—and that she is "fearful of leaving her home or checking the news," continuing, "As a direct result of Baby Reindeer, Harvey has become extremely secluded and isolated, in fear of the public, going days without leaving her home."
Ultimately, Harvey's lawsuit requests a trial by jury, that Netflix and Gadd—though he has not been named as a defendant in the lawsuit—appear at the trial, and seeks compensation for actual damages, compensatory damages, punitive damages and profits totaling $170 million, with an exact sum to be determined at trial. E! News has reached out to Gadd's attorneys for comment but has not yet heard back.
When reached for comment, Netflix told E! News, "We intend to defend this matter vigorously and to stand by Richard Gadd's right to tell his story."
Following the success of Baby Reindeer, Gadd implored the public not to seek out the real counterparts to his onscreen characters, writing on his Instagram Story April 22,"Please don't speculate on who any of the real life people could be. That's not the point of our show."
The 35-year-old has also been candid about his intentions to remain as truthful as possible to his experiences while maintaining privacy.
"It's all borrowed from instances that happened to me and real people that I met," he told Variety in an interview published April 19 of the show's validity. "But of course, you can't do the exact truth, for both legal and artistic reasons. I mean, there's certain protections, you can't just copy somebody else's life and name and put it onto television. And obviously, we were very aware that some characters in it are vulnerable people, so you don't want to make their lives more difficult."
And during a press event May 7, he further explained, "I always had to constantly check myself to be like, does this feel truthful to me and to my experience all the way through? If it didn't, I would have to bring it back. But it was a tightrope. It was a constant process between what works for a TV show and not selling out on your own story, and that continued all the way from writing all the way to filming and all the way through the editing process in finding that right balance."
And for more on Baby Reindeer, keep reading.
Richard Gadd Takes the Stage
Animal Instincts
Monkey Sees Major Success
Harnessing Baby Reindeer
An Unexpected Sequel
Empathy for Martha
Baby Reindeer Goes Global
Reindeer in the Wild
Pleas to Stand Down
The Real Martha?
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