Dokken's signature sound lives on but Heaven Comes Down has a surprising sting in the tail

 Dokken: Heaven Comes Down cover art.
Dokken: Heaven Comes Down cover art.
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Back in the 80s, when big-haired rock bands were selling millions of records, the most dysfunctional of them all was Dokken; the animosity between singer Don Dokken and guitarist George Lynch ran deep.

Now, in an echo of that old rivalry, there are simultaneous releases from Don's modern version of Dokken and George's group Lynch Mob.

The title of the new Dokken album is a nod to their crunchy 1984 track When Heaven Comes Down, and the band's classic signature sound is upfront in songs such as Fugitive and Just Like A Rose, with Don's voice full of character, and guitarist Jon Levin nailing melodic riffs and shredding leads in a remarkably close approximation of Lynch.

The surprise comes with the album's closer, Santa Fe, a bittersweet acoustic track in which the grizzled Sunset Strip survivor turns existentialist. He's sung a lot of great songs, but none as meaningful as this one.