Joanne Shaw Taylor briefly switched to Les Pauls – and it dramatically improved her guitar playing

 Oanne Shaw Taylor performs on stage at Newark Castle and Gardens on 8 July 2016 in Newark, United Kingdom. She is playing a Gibson Les Paul Standard guitar.
Credit: Christie Goodwin/Getty Images
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Joanna Shaw Taylor has revealed that adding a Gibson Les Paul to her toolkit was key to improving her technique and pushing her sonic palette. As a dedicated Tele player, incorporating a Les Paul felt almost like a painter using a “different paintbrush”.

“I mean, I’m still predominantly a Tele player, but around 2012 I was doing my third album [Almost Always Never], and I felt like my guitar playing had got a bit stale,” she explains in the latest edition of Guitarist.

“So I went through a lot of practice, trying to reboot it, and I decided to switch guitars. I also switched guitar picks and moved to [Dunlop] Jazz IIIs, which are a lot smaller, just to try and tidy up my right-hand technique.

Joanne Shaw Taylor at Gibson Showroom on 15 October 2018 in London
Joanne Shaw Taylor at Gibson Showroom on 15 October 2018 in London

She continues, “I think it was one of those things where you spend every day on the same instrument and you tend to form lazy habits. Maybe I felt like a different paintbrush, or whatever, would make me think a bit more outside of my usual comfort zone.”

However, this doesn't mean she abandoned her go-to model, the Fender Telecaster. “I switched to a Les Paul for about a year and I think it did the trick; it did help tidy up a lot of my playing and helped me grow a bit as a player. But it was nice then to revert back to my signature tone and apply what I’d learned to the old workhorse.”

For her latest album, Heavy Soul, Taylor used a 2008 Custom Shop Les Paul, which she admits was a random purchase from Reverb. She also opted for her workhorse Junior, a ’66 Esquire.

“I found him [Junior] on Denmark Street when I was 15. I’d been playing for a couple of years, gigging, and was working in a guitar shop on weekends,” she said in a 2022 Total Guitar interview. “My nan and dad said they’d match whatever I made as a reward for working hard, and I managed to get together £1,200.

“With Esquires, there’s always a gap underneath the scratchplate where you could put a neck pickup, and I think the previous owner had attacked it with a knife and gouged it out doing a home job to put a humbucker in. So I got it slightly cheaper. I just love him.”

For more Joanne Shaw Taylor, plus career-spanning new interviews with Junior Marvin and Scott Graham, pick up issue 513 of Guitarist at Magazines Direct.